! Senoritas y Senores ~ Vaya con Dios Siempre !

California Legends and Historia ~

L.A. Urban Visionaries ~ A Fading Muralist Art Form 1969-2011


Isle of California • L.A. Fine Art Squad, 1971-1972

In 1970, Los Angeles in many ways as compared to Today, was still kind of a Small Town. 2 L.A. Artists, living founder & still Active Artist Victor Henderson and now deceased co-founder Terry Schoonhoven created the L.A. Fine Art Squad.

In a largely Pre-Gangsta & Grafitti Era, the word Tagger hadn’t been invented yet. These two artists Divided & Conquered Los Angeles with their Epic in Grandeur, Realism and Scale- Urban Murals on the Streets of Los Angeles. In that time, Los Angeles was having a sort of Renaissance Redux and the Rare Ability to Poke Fun at itself.

The film, Shampoo from 1975 and starring Reigning TinselTown Real-Life Lothario Warren Beatty, the Understated Eroticism of Ms. Julie Christie (LOVE her Table Manners), the Overstated & Ultra 70’s Ms. Goldie Hawn and a very Mrs. Robinson-Like Lee Grant. Take your pick George, you Lucky Guy…In a thinly disguised screenplay based on Real Life Hollywood Swingers like hairdressers Jon Peters & Doomed by the Manson Family – Jay Sebring, Shampoo is a brilliant look at 70’s Hollywood Life itself, much the same as Sunset Boulevard had done some Twenty years before. With this Mentality in Mind, The L.A. Fine Art Squad was Born.

Victor Henderson and Terry Schoonhoven began their collaboration in 1969 with the mural, Brooks Street Painting, on the back wall of Henderson’s Venice studio. A portrait of his one-time girlfriend, who lived upstairs.

The house, a few blocks from the Venice Boardwalk has been replaced by condominiums, the mural, as many of the Fine Art Squad’s later works, did not survive, as we shall see.

Schoonhoven & Henderson as a Mural Team were now Clearly Inspired, and from their Humble Beginnings of Brooks Street, came the Dawn of the Seventies SuperGraphics Era. The Newly Christened L.A. Fine Art Squad added 2 New Members, Jim Frazen and Leonard Koren, students of Schoonhoven’s. The Squad nowgeared up Big Time & tackled the 15,000 square foot exterior of the groovy Climax Nightclub, on La Cienega Boulevard…

Beverly Hills Siddhartha ~ A Name that Reeks of 70’s Warholian & Rock N’Roll Culture

Beverly Hills Siddhartha • 1969. LAFAS Completely Covered the 15,000 square foot exterior of the Climax Nightclub in Beverly Hills,. In a time & place that arguably spawns the Birth of the Disco Era. As art,  The LA. Fine Arts Squad took a stand against the Staid Studio Standard of ‘contained’ art in a room or gallery and Poking Fun at & For the Community – Art for All and For the Times. Aware of Hollywood Excess, Adult Absurdity and Current California Culture, their art Paved the Way for Future Environmental & Performance Artists who went on to become Much Bigger Success Stories & Shameless Self-Promoters ~ a la Christo.

Within 2 Years new owners would buy the Climax & in true Seventies Stucco over it Fashion, painted out the entire work and exterior in a Bold Stroke of pure blank white. And so…The Fine Arts Squad Marched On to an Increasingly Tongue in Cheek Drummer. Based on a report from 1949 that it had actually Snowed in Venice, the Squad carried out its Next Mission on the Venice Boardwalk. The aptly named ~

Venice in Snow 1970

Photos of the Fine Art Squad works, like the works themselves, are rare. Two of the only existing 70’s era snapshots of the mural (stitched together here) failed to even show the entire work, as evidenced by the missing ‘R’ of the MARKET above.

And, True to Form – who cares it’s just L.A. cement-it-over Urban Renewal-style -Venice in Snow, which stills exists today, has been permanently obscured by a newer building erected directly in front of it on the miniscule plot of land shown. Only in L.A., by Strange Fate the mural is one of the only Fine Art Squad works preserved for years to come, but of course no one can see it. Perhaps sensing this very California Fatalist Feeling, L.A. Fine Art Squad would next create perhaps their Most Recognizable Work ~ one that is Truly Synonymous with L.A. itself .

The Catalyst of 2011 Current World Events and the Impending Doom of THE BIG ONE ~ Itself a California Icon, are what makes Isle of California 1970-1972 one of our most Legitimate Urban Artworks

Down the Road in Zuma Beach at the Same Seventies Time another L.A. Poet Laureate Artiste expressed much the Same Sentiment on his Classic California album Time Fades Away, Neil Young ~

LA ~ City of the Stars….

And Indeed even in L.A. City of the Stars….Time Fades Away

L.A. Fine Art Squad carried on their work with a Series of increasingly Surrealist Trompe L’oleil works, mainly in and around Venice. Their murals perhaps never reached again the Epic Timeless Irony as Isle of California conveyed.

Terry Schoonhoven then set off & worked primarily as an individual and rendered the surrounding Venice neighborhood in a Mirror-image Reflection of the Urban View opposite, almost M.C. Escher-Gone to California Style. His St. Charles mural, on Speedway Avenue in Venice at 50 feet high x 100 feet long is his most Enduring Solo Work ~

Like many of their works were destined, The L.A. Fine Art Squad were Fading & Fast Becoming Extinct. New Emerging California Muralists adopted their Witty Slice of Life Style and emulated the Nutty Venice Neighborhood with Increasing Verve & Skill.

A Prime Example of the Fine Art Squad’s Influence on Funky Faux Futurists is Brandelli’s Brig 1973 ~ a Self-Portrait of Artist Art Mortimer, painting himself painting Former 1930’s Boxer, Babe & Betty Brandelli and their bar which lives on in Venice to this day, The Brig.

From the Origins of L.A. Fine Art Squad Emerged The Messiah of All L.A.Muralists ~Kent Twitchell

Artist/Illustrator/Muralist Extraordinaire Kent Twitchell is Easily The Most Prolific Picasso of all L.A. Muralists. Nearly his entire life has contained a Constant Form of Illustrative Expression. Twitchell arrived in Los Angeles in 1968, just at the founding of the L.A. Fine Art Squad and Los Angeles as a World Epicenter of the New Muralists. Pop Culture expressed in the Art & Music scenes were exploding just as Twitchell arrived. From his First Large-scale work -

Bride & Groom 1972 ~

Twitchell as an L.A. transplant Immediately Conveyed his understanding for Diverse & Angeleno Culture ~ con Respecto

The Mural has existed for nearly 40 years in the Heart of Downtown L.A. on the side of Victor Clothing Co., on Broadway. In a very Telling photo, Angeleno Locale Chicano Grafitti permeates the entire Urban Existence of Los Angeles and is Truly a Legitimate Cultural Art Form in its own right. The fact this mural is un-tagged, albeit the walls all around it, shows a Mutual Cross-Cultural respect not only in Subject Matter by Twitchell, but by the Community as well.

Twitchell’s Immediate Grasp of the Diverse L.A. Neighborhoods & Culture, his huge Illustrative Skill nonwithstanding and his Longevity in the Medium are what has made him THE L.A. Muralist to this day. His ability to choose Offbeat Characters in California Culture that Strike a Chord with Angelenos is uncanny, the Mural even overshadowing the fame of the subject and reinforcing the Un-obvious, as in Twitchell’s next mural of actor Strother Martin at Fountain Avenue & Kingsley Drive in Hollywood ~

Strother Martin Monument 1971

In 1970 in Twitchell’s work around town, his reputation was building & he clearly did not Have a Failure to Communicate..

“I painted only a black and white face of Strother at first. Word got around and he drove over to see it. Then he called me and we became friends. As I was painting the afghan he agreed to pose for me and I added the figure on the left…” Kent Twitchell

Twitchell’s Next Work proved to Be Brilliant not so much in Subject Matter, but perhaps his awareness that in L.A., everything is about location Location LOCATION…

The Freeway Lady 1974

No Angeleno who has Been Around Town for any length of time has not seen & felt the presence of The Freeway Lady. She watched over California Travellers on the 101 Freeway in Downtown L.A. for years, like an Aging Our Lady of Guadeloupe. Twitchell has this to say about her ~

“I am told this was America’s first freeway mural. I painted it in 1974 to honor my grandmother who lived in Hollywood. I chose actress Lillian Bronson as my model and we remained friends. She overlooked the Hollywood Freeway for 12 years and was suddenly destroyed. I am now painting her again, thanks to the Valley Institute of Visual Art (VIVA). A new front afghan was created by members of the Crochet Guild of Sacramento. The flying afghan streamer is being created by Peggy Baxter of Long Beach. The new mural will be on the west wall of the VIVA gallery at 13261 Moorpark at Fulton in Sherman Oaks . . . . Update: VIVA was prevented from putting the mural up and now it may possibly be painted on the campus of Valley College, visible to the public streets outside.”

His Work & Ethos show a repeated Sensitivity to the Surrounding Environment and ability to Reach the Hearts of Hardened L.A. City Dwellers through his Astute Choice of Freeway-Close Commercial Canvases to Paint. Perhaps this is what makes Kent Twitchell’s Legacy as one of California’s most Enduring Artists, much like that of one of his Most Famous Subjects ~

Ed Ruscha Monument 1980

“I Painted it to Honor All California Artists” Kent Twitchell

In True Jaded Faded California Fashion, Twitchell’s 6-story tall Hill Street L.A. work suffered the Fate of many works by L.A. Fine Art Squad so many years before, as Ed Ruscha Monument Mysteriously Just Disappeared one day in 2006…

Twitchell was able to sue & gain a substantial Million-Dollar plus settlement as to the loss of his Iconic Homage to all us California Artists. He has gone on to Create several other Noteworthy Works and indeed remains a living Active California Cultural Treasure to this day. Urban Graffiti for 30 years now has become a Valid Art Form as well…Case in Point ~ Elusive English Artist Banksy arriving on the L.A. Art Scene just in Time for the 2011 Academy Awards, with a Decidedly Reminiscent Wit, Message and Look of Early Pop Art. All Valid & Legit & Honored as an Innovative Modern Artist ~


Charlie Burn 2011

Thanksy Banksy for Comin’ to Town ~ but us California Creators Been There Done That ~

Ed Ruscha • Burning Gas Station 1966

“The spray paint vandalism was at the core of the end of the mural movement. L.A. started the murals in the late 60s with those of us who thought of ourselves as hippies and it travelled around the world, helped by the media attention unusual things in L.A. get. Ironically LA has now become the one place where murals cannot survive. Most of the murals that were painted over were done so because they were covered with graffiti. Efforts to clean the tagging eventually compromised the paint surface and the perception was that the paint was not lasting. Today perception is more powerful/influential than truth and people began thinking of murals as ugly graffiti-laden walls that would have been better left unpainted. Spray paint vandalism and the murals have now been tainted with the same understandable discrimination and the days of the late 60s through the mid 80s are a memory for those of us who were there. The “Mural Capital of the World” has become the” Graffiti Capital of the World” and LA has officially outlawed murals along with building-sized commercial ads. That doesn’t stop the taggers of course. It’s a strange new world. You are absolutely right though. We thought that we were in Florence. That’s why we put so much into our paintings. We thought the world was good and that people just all wanted to be nice.”

~ Kent Twitchell, 2010

L.A. Times- Feb 17, 2011 • Urban Outfitters, who have made a few bucks off the work of street artist Banksy through the years, now allegedly want his “Crayola Shooter” piece, on the wall behind their Westwood store, to be painted over.

Make Art Not War ~ Cheers, Federico

Simon Rodia at work on his 30 Year Art Project ~ The Watts Towers, 1951


Happy Valentine’s Day California !



Federico de California is One Year Old Today ~ Happy New Year 2011 California Style !!



Dora at Malibu ~ 1962


'62 Orange Dora

The Most Iconic California Surfer ~ Miki Dora at Malibu. Everything he Stood For represents the Very Essence of our Legend


Catalina SwimWear & An Emerging California Coastal Couture • 1907 -


At the Turn of the 20th Century, California Couture had Little Identity ~ an Emerging Beach & Coastal Sportswear Couture was beginning to Evolve with Influences from Europe & Hawai’i. The Matson Lines Steamships Would Soon Run Regularly from The Hawai’ian Islands to California, Bringing Culture and Couture Ideas Back & Forth Between on the West Coast. Well-Heeled Travellers able to Visit the European Beaches of the Day were introduced to the

French ‘Maillot‘, by Izod ~ A New Ladies ‘Tank’ style one-piece Swimsuit first seen on the Shores of Le Riviera ~

The Earliest Maillots were of Wool ~ and often covered with a Second Layer of Fabric for Even More Fun in the Sun, no doubt on a Hot Summer Day creating the Added Benefit of Reducing Mademoiselle’s Figure under 2 layers of Wet Wool. Add Surf & Sand to that Combination and the Poor Beach Girl of the Day would Daresay be a Trifle Uncomfortable while Making the Scene at Le Plage. However like All Good Ideas, Designers stuck with the Concept, rapidly Paring Down the Look and Streamlining Cuts to Suit Ladies and Men alike, in a Classic Tank/Trunk that would Stay in Style through the Roaring Twenties ~

Perhaps no one was More Responsible for Creating a Look that would Evolve into the Coastal California Style of Today than George Hoyningen-Heune, one of the Earliest Modern Fashion Photographers. A Russian Immigrant who would become the Chief Photographer of French Vogue, 1n 1925. His Classic Images of European Bathers and Swimwear of the Early Nineteen-Twenties and ‘Thirties would go on to Influence SwimWear Designers Everywhere, and Inspire Modern Day Designers Giorgio Armani, Ralph Lauren, Calvin Klein, Photographers Bruce Weber, Herb Ritts and many others with his Suave, Cool Timeless Images… These Would have All have Direct Effect on California Couture Style ~

In 1907, Australian Swimming Star Annette Kellerman Travelled on American Tour as an “Underwater Ballerina” – a Predecessor to Synchronized Swimming. Ms. Kellerman wore a Swimsuit with exposed arms, legs and Somewhat Low in the Back, thereby finding herself temporarily Busted in Boston for Excessive Exposure. And As Often when Something Initially Seen as Racy Behaviour becomes Trend, people like John C. Bentz, Proprietor of Sweaters & Undergarments maker Bentz Knitting Mills in California took notice and Had a Brainstorm ~ To use the Appropriately French term as its Origins would Imply…

Voila ! The Catalina SwimSuit was Created ~

Initially John Bentz re-named his Company Pacific Knitting Mills in 1912, to Reflect & Capitalize on the New SwimWear Trend in California. His Earliest Wool Suits were Almost Unisex, with Tank Top-like Uppers and short Breeches. Indeed on the Early Suits, many of which were All Black, he No Doubt thought after Mr. Henry Ford who stated about his still-new Model ‘T’,

“You can have any color you want…

 

Early Catalina ~ Pacific Knitting Mills ‘Catalina’ Tank Suit with Iconic Flying Fish Logo

…as long as it’s Black.” ~


During the Roaring Twenties in Southern California, being Prohibition and All, a New Paradise Playground began to Take Shape 26 Miles Across the Sea on Catalina Island. Fun-Seeking Folk would Fire Up their Chris-Crafts and Set Sail to visit Gambling Boats & Rum-Runners lying offshore of the L.A. Metropolis Night…

Sleepy Avalon Harbor in 1912

…Beckoning them with the Illegal Pleasures of the Day. Soon Catalina Isle became a Destination for Debauchery, as Chicago Chewing Gum Baron & Cubs Owner William P.Wrigley now owned & developed the Island, after buying it Lock Stock & Barrel at a Fire Sale Price years before after a devastating wildfire scorched Catalina. The Town of Avalon became a Home Away from Home to Hollywood Heroes & Well-Off California Carousers ~

Big Band music was broadcast live from the Avalon Ballroom in the Casino Modeled after Monte Carlo to a Nationwide Audience. Flying Fish Cavorted in the Channel & Glass-Bottom Boats Cruised the Harbor. Hollywood HeavyWeights like Charlie Chaplin, Mickey Rooney, Judy Garland, Clark Gable, Henry Fonda, James Cagney, Errol Flynn, Orson Welles and John Wayne came to Fish, Drink, Dance & Romance ~

Hooray for Hollywood ~ The Catalina Airline Clipper & Brand-New Avalon Ballroom, 1930s

Seeing All of This Go Down as a Marketing Opportunity, Pacific Knitting Mills Maestro John Bentz changed the name of his growing SwimWear Company after his best-selling swimsuit, ‘The Catalina’. Of Course Now it was time to develop a New Line of Sleeker, Sexier Suits to Show Off more Skin than Ever Before, Hollywood Style ~

Early Pin-Up ~ Esquire Magazine, 1936

Ooh La La ~ Now we’re Getting Someplace, Catalina 1941

As World War II Heated Up ~ Catalina Took Off Big Time when  California Created the Pin-Up for All those Soldiers in Far-Away lands…


… And They sent photos back from Exotic Outposts like Waikiki, wearing ‘Aloha Shirts’ & Inspiring a

New ‘California Tropical’ Look ~

As Catalina SwimWear Cruised into the Fifties, John Bentz Scored another California Coup ~ Catalina became a Sponsor for the Miss America Beauty Paegant, Supplying Suits and Inventing another Great California Tradition in the Process ~

The SwimSuit Competition…

Here She Comes Miss America 1950 ~ Wish They All could beat California Girls

Now the Old Knitter John Bentz & Catalina were Really in Business ~ All of America Saw his Swimsuits on Some Seriously Hot Tamales Right in their Living Rooms on this new Thing called Television. And if That wasn’t enough for All Us OverHeated California Boys, Hollywood Really Got in on the Act ~

Stunning 40’s Starlet Janet Leigh in Catalina ~ enough to Drive Any Guy Psycho

And on the Beaches of California, Now Catalina was Everywhere, On Every Girl ~

 

Not Yet Marilyn • Norma Jean in Catalina ~ Federico Needs Resuscitation

Then Once Again the Ever-Enterprising French Got Busy & A Guy named Louis Reard Turned Up the Heat on SwimWear with His Explosive Invention named after a Bit of Cold War Atomic Testing on a Little-Known Island called the

Bikini Atoll ~

 

Tres’ Chic Bardot au Bikini ~ Cote D’Azur 1950

California’s Conservative Catalina was Caught a Bit Off Balance along with the Rest of the World by the Bikini in 1946. Originally Banned in Several Countries and even Scorned by the Pope Himself & The Vatican, the Bikini Became a Much Bigger Explosion than the original Atomic Blast it was named for. Guys like Bond, James Bond & his Beauties helped out Along the Way as well to Permanently Put the Bikini on the Map ~

If you had to be Stranded on a Desert Island with One Person who would you Choose?

Catalina Stoically Stuck by the One-Piece Maillot, having created a Classic California SwimWear Icon with it for Many Years, and though The Bikini certainly was a Bit More Revealing and Therefore Became Preferred by a Whole New Generation of California Girls, it takes a Certain Kind of Lady to Look Equally Muy Caliente in the Maillot ~ Thereby supporting the Theory that Sometimes ~

Less is More ~

Elizabeth Taylor ~ Suddenly Last Summer, 1957

Whatever One’s Preference in California SwimSuit Style, We can thank Catalina SwimWear for Being One of the First Ones, bringing European and South Seas Style to the California Coast, Pioneering a Multi-Billion Dollar Swim and Surfwear Industry Worldwide, Way Before the QuikSilver’s, Roxy’s, Brazilian Bossa Nova & even the Victoria’s Secrets of the World…

Helping Keep Us Californians Looking & Feeling Fab Along the Way ~







¡ VIVA McQUEEN ! ~ “I Live for Myself & I Answer to Nobody” • 1930 -1980


L.A. Commuter Steve McQueen ~ RHD Jaquar XKSS, 1963

A MotorSport Icon 30 Years On Today,

Steve McQueen was a Racer First

& an Actor Second ~


Prepping for a Desert Race in the Mojave with the Ekins Boys ~ 1964

His Early Life & Career Closely Resembled that of His Contemporary, James Dean. Both were from Indiana, Steve McQueen born in 1930 and Dean one year later. They both had unstable childhoods, no doubt shaping their Early Formative Rebel Tendencies. McQueen & Dean like him would both Migrate to New York, Restlessly Searching for a Creative Freedom that would ultimately propel them Both to Iconic Timeless Stardom. And Both of Them would Embrace a Need for Speed ~ However that is Where the Parallels End, as Time would prove McQueen the Far More Gifted in MotorSport ~

Lotus 11 owner McQueen in the Pits ~ Santa Barbara Road Races, 1959

What Defines True Style ?

The Thing was….he Really didn’t Care. I would see him from Time to Time. At Saddleback Park, with his Husqvarna 400, and his son Chad, my age. Pretty much just another couple guys out to Traverse the same Trails & Track just like Me & My Dad 10 feet away in the Same Dirt Parking Lot. At the Now Gone Forever Ascot Park in Gardena, racing with a bunch of other Guys in some immediately to be Forgotten Dune Buggy Heat Race. The Same Guy who was STEVE McQUEEN on the BIG SCREEN was just another guy Shooting the Shit in the Pit, relaxed and Laid-Back California Style in his Personal Life…

McQueen & 2 Puch Factory Works MotoCross Team riders ~ Saddleback Park, 1973

He had a Great Lady in his Life as well, his wife Neile. She had been a Successful New York Stage and minor Screen Actor when they met in the ‘Fifties, and as they say,

Behind Every Great Man is a Woman ~

She Nurtured him, Smoothed his Bruised Bank Account & Ego when he was Starting out, bought him Bikes, Paid his Rent, didn’t Hassle Him for Being Steve. Looked the Other Way for a Long Time. And it Paid Off for Many Years, at least until his Star got So Bright it Eclipsed them Together ~ a Lesson in there, Somewhere…

The McQueens Decompress at Home ~ Palm Springs, mid 1960s

Lovely McQueen Ladies ~ Steve & Neile McQ Road Trip with their Stunning ’63 Ferrari Lusso, Carmel 1967

In so Many Ways what often makes an Icon is not the Star Machine, The Media, the Hype. Certain People just Know How to Live ~ to Get the Most Out of Life, to Go Balls Out as they say and Keep it in their Minds that

You Only Go Around Once ~

In It to Win It ~ McQueen & Husqvarna 400WR • Elsinore Grand Prix, 1970

& Work to Live, not Live to Work ~

 

And So he Lived his Life ~

Working to Live rather than the Other Way ‘Round, which in The End perhaps is Really All that Matters. I was Lucky Enough to have Grown Up in a California Lifestyle in an Epic Era Exposed to MotorSport, Riding that Same Husqvarna ~ with an Endless Thanks to & having Lost My Own Main Man & Mentor for whom these Stories are Dedicated, to the same Mesthelioma that killed McQueen. His Legacy and Today have a Special Personal Meaning to me. There are men and there are Men.

You Only Get One Shot ~

Keep the Hammer Down.



Big Brother, Cellular Technology & Social Media Invade California ~ 1946

Dick Tracy & Wrist Radio ~ Now with Android GPS , IM & Unlimited Text


In the Fall of 1946 ~ All Was Quiet in the Los Angeles Sleepy Hamlet Suburb of Mar Vista…

Dateline : Los Angeles, 1946 • (F deC Science & Technology Dept.)

After Enduring 4 Years of Seemingly Endless War & Toil Overseas in the Armed Services, Aircraft Factories and Shipyards, Los Angelenos were Sleeping In. After All, They Deserved It. Times were Good. What with the Local L.A. Economy Flush after a Never-Ending Stream of Defense Contracts, a Down-Winding Military Machine after a Monstrous WorldWide Buildup & Murderous Mayhem, G.I. Bills & Bobs were literally Paving the Way for a Whole New Suburbia Soon to Come and A Baby Boom on its way. Californians were Chilled Out…

But Not Everyone. Some were Still Hard at Work, Experimenting and Analyzing…Being Quiet Out There

Captured Nazi WWII 'Flying Wing' being 'analyzed', preceding the U.S. F-117 'Stealth Fighter' by 50 years. Muroc AFB 1946

Muroc AFB ~ Birthplace of Stealth Technology • Rosamond Dry Lake, Mojave 1940’s

What’s he building in there?
What the hell is he building
In there?
He has subscriptions to those
Magazines… He never
Waves when he goes by
He’s hiding something from
The rest of us… He’s all
To himself… I think I know
Why… He took down the
Tire swing from the Peppertree
He has no children of his
Own you see… He has no dog
And he has no friends and
His lawn is dying… and
What about all those packages
He sends. What’s he building in there?
With that hook light
On the stairs. What’s he building
In there… I’ll tell you one thing
He’s not building a playhouse for
The children what’s he building
In there?

Tom Waits • “What’s he Building in There ?” 1989


Double Agent ~

Beautiful but Deadly Mata Hari

During World War I, the Netherlands remained neutral. As a Dutch subject, Margaretha Zelle was thus able to cross national borders freely. To avoid the battlefields, she travelled between France and the Netherlands via Spain and Britain, and her movements inevitably attracted attention. She was a courtesan to many high-ranking allied military officers during this time.[citation needed] On one occasion, when interviewed by British intelligence officers, she admitted to working as an agent for French military intelligence, although the latter would not confirm her story. It is unclear if she lied on this occasion, believing the story made her sound more intriguing, or if French authorities were using her in such a way, but would not acknowledge her due to the embarrassment and international backlash it could cause.

In January 1917, the German military attaché in Madrid transmitted radio messages to Berlin describing the helpful activities of a German spy, code-named H-21. French intelligence agents intercepted the messages and, from the information they contained, identified H-21 as Mata Hari. Unusually, the messages were in a code that German intelligence knew had already been broken by the French, leaving some historians to suspect that the messages were contrived.

The Equally Exotic Garbo as Mata Hari ~ 1931

On 13 February 1917, Mata Hari was arrested in her room at the Hotel Plaza Athénée in Paris. She was put on trial, accused of spying for Germany and consequently causing the deaths of at least 50,000 soldiers. She was found guilty and was executed by firing squad on 15 October 1917, at the age of 41.

The facts of the case remain vague, because the official case documents regarding the execution were sealed for 100 years, although, in 1985, biographer Russell Warren Howe managed to convince the French Minister of National Defense to break open the file, about 32 years early. It was revealed that Mata Hari was innocent of her charges of espionage ~

Howard Hughes ~ The Original California Big Brother… He’s Got The Goods on You.

Legendary Lurker Howard Hughes surely Goes Down as the Ultimate California Big Brother, Spying on Everyone in (and Out of) Sight, including The Guys who were ‘Supposed’ to be Doing the Spying, the FBI and early predecessor to the CIA, Office of Strategic Services, the OSS. In fact, they were Unwittingly Paying Him to Do So. Hughes’ XF-11 was a Reconnaissance- Spy Plane. The Twin-boom, high wing Monoplane Designed by Big Brother HH and manufactured by (who else?) Hughes Aircraft Company in Culver City. Because of the A-Bomb, the need was ‘Greater than Ever’ to know what other countries were Up To. The United States Government contracted Howard Hughes to build a High-Altitude Spy Plane that could go above radar with a special camera using newly developed fine grain film. In True California Stranger than Fiction Fashion ~ HH Managed to spend all that Big Government Contract Money only to Crash Into a Lovely Pair of Spanish Revival Homes in Beverly Hills.

Setting the Neighbourhood Ablaze, California Style… in Beverly Hills.

Crash of the XF 11- Nice One Howard, Welcome to My Beverly Hills Nightmare.

In Typical Hughesian No Harm No Foul Logic ~ The Ever-Elusive Mr. Hughes simply Escaped to The Confines of his Creepy Concrete Deco Compound & Secret Starlet Laboratory at 7000 Romaine Street in Los Angeleez, to Continue his Secret Spying Ways on Everyone, Especially Every Sweet Young Thing that Crossed his Creepy Crescent Heights at Sunset Path….

I Hear Ya Knockin’, But You Can’t Come in ~

Howard Hughes' HeadQuarters & House of Horrors ~ 7000 Romaine Street, L.A.

Hmmm…Lots of Electronics & Phony Telephonics Going On in there. As We Have All Come to Know , Thanks to Mssrs. DeCaprio & Scorcese, The Aviator Hughes was Up to All Kinds of Shady Shenanigans, Hollywood Style. And he Taught A Lot of Other Corporate Communicados How to Do Just That…

Dick Tracy & Wrist Radio ~ Now with Android GPS , IM & Unlimited Text

There’s something Awfully Familiar about the Dick Tracy Wrist Radio every Kid Had to Have in 1946…

On January 13, 1946  Comic Strip Creator Chester Gould changed Dick Tracy forever with the introduction of the 2-Way Wrist Radio, having drawn inspiration from a visit to inventor Al Gross. This Compact Communications Device, worn as a wristwatch by Detective Tracy and Members of the Police Force, became one of the strip’s most immediately recognizable icons,and can be thought of as a Precursor to Later Technological Developments,

Such as that iPhone InYour Face, you know, the one Connected to BlueTooth, Twitter, Tattler, TMZ, TCM, e-mail, IM, Chat This-and That, FaceBook GPS & BIG BROTHER.

Early Facebookers Lucy & Ethel Log On ~ 1956

Did America’s Obsession with that Oblong Oval Glowing in their Living Rooms actually Hook Them Up to an Early Form of GPS ? Maybe They were Skype-ing Us and We Didn’t Even Know It.

Poor George Jetson, Hassled & Micro-Managed by Maniacal Boss Cosmos Spacely, while he’s Really Supposed to be Working, Being Busted Web-Surfing Again…

Meanwhile, Ms. Judy Jetson is At Home in her Stylish Modern Living Room Logging On & Video-Chatting with Wilma Flintstone (who is still on DSL) about Girls Night Out ~

So Thanks for Coming Around & Logging On, But Remember,

Even Federico Knows When You’ve Been Here….

 


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