L.A. in the 60’s and All That Happened back then Obviously has Power Now like it did Then. Immediate Feedback from those who Remember it..I was just a Little Kid. Listening to the Music. Checking Out The Cars. The Movies. The People. The Girls. All The Crazy Events in the News. JFK. Space-The Astronauts, The Surf Scene. Drag Racing. It was a Powerful Time. It all came out in The Music. My Swinging 60’s Single Dad had a Triumph TR-3 sports car identical to the one above…he was probably in the Lighthouse grooving on the Jazz when this picture was taken for all I know…or maybe he was over in the Valley at Shelley’s Manne Hole, owned by Shelley Manne, of course. My Dad once punched out Jazz pianist Les McCann in one of these clubs, after McCann made a pass at my Mother from onstage. Decked him in the middle of the guy’s gig. My Dad was a Pretty Cool Cat .
Wish I had that Hemi Plymouth 2-Tone Station Wagon parked out front. The Ultimate SUV. Super Cool.Worth about $250. bucks back then. I Saw 50’s & Early 60’s Black Chevys jacked up with Flames down the sides, pinstriped to the max & Corvettes on Used Car lots for like $650.-700 bucks. Brand-New Hobie & Jacobs 8’6″surfboards were around $100. and gas was .23 cents a Gallon to run all those V-8’s. I wanted a Roth Rat Fink shirt so bad but my Dad wouldn’t let me buy one. My Dad had been in England in WWII in the AAF for 4 years fighting the Germans. Big Daddy & all the Chopper guys used to wear these plastic German Nazi helmets around & my Old Man didn’t think that was too cool at all. Can’t say that I blame him. So no Rat Fink shirt for me. They cost $1.50 in the mail-order Big Daddy ads in all the magazines. My allowance was .50 cents a week. I used to draw his style hot rods with the giant Slicks in back and Monster Freaks inside with a giant Blown Chevy Rat Motor in front belching flames & smoke out the back. So Cool..& I never stopped straight through school, college & straight into a Design career pura vida~for Better or Worse. Now I can make my own Roth shirts from digital scans and heat-press ’em on shirts myself. I just made ’em for all the kids around here for Christmas. They dug ’em just like Big Daddy would have wanted. In my 20′ I met him one time when he worked at Knott’s Berry Farm in the Sign Shop. My buddy’s Dad was his boss. Ohmigod. Big Daddy. He pinstriped out the entire old school Knott’s sign shop, top to bottom, inside& out. Wonder if it’s still there, it should be a California State Cultural Landmark. That guy was & is still one of my Heroes. He was a lot Cooler than Tiger Woods or some NFL Football Geek, that’s for Damn Sure. A Cool Role Model. I was in awe of meeting him.
At the same time my Dad was going to the Lighthouse in Hermosa, Grooving to Chet Baker & Bud Shank West Coast Style, My Big Sister was very likely in the photo below at the same time..on the same night…She must be out there..looks just like Her Crew.
Meanwhile I was the Little Kid at home, shredding the Neighborhood on my Sting Ray, Skateboarding & Playing Baseball, Checking out the Mercury Astronauts and the X-15. But I Caught Up Later.
Go to the beach, Hermosa had the Lighthouse, a world-renowned Jazz Club.There were a lot of Music Sub- Cultures, reflecting on the California Culture..Jazz, Folk.Country/Western. All sub-cults of L.A. Go to the Valley and although the Postwar 50’s had brought housing tract subdivisions, many parts of the Valley still had a distinct rural Country Western Cowboy Vibe. It’s still like that if you look for it. These here folks went to The Palomino on Lankershim Blvd.
A venue that later in our story we will witness the Crossover of Country into Rock. California Rock, they called it.
In the 1940’s & 50’s L.A. had an emerging Jazz Scene that came to be known a West Coast, or ‘Cool Jazz’. The roots of Be-Bop, & West Coast Jazz derive from Swing Music, Country Swing, Country/Western, Black R& B, Blues, JumpN’Jive. The earliest Jazz L.A.Clubs were centered on Central Avenue in L.A., running into what is now Inglewood & Compton… the precursors of Rock.
Back Then Central Avenue was the center of the L.A. Music ‘Hood, Now instead of Bands playing Jazz from the doorways at night, we’ve got the 47 Hoovers & Crips Shootin’ it Up down there. But That is Another Story. Big-name Musicians from all over the U.S. played on Central Avenue. Count Basie, Billie Holiday, Duke Ellington. Be-Bop Greats Charlie Parker & Dizzy Gillespie, and a guy named Louis Jordan, whose Jump N’Jive sound I associate most with The L.A. Central Avenue ‘sound’ These predominantly Black musicians infused Big-Time Jazz on the West Coast…
By the Way, All those punk-ass White kids you see wearing their little Faux Fedoras they got at The Mall & thinking they’re rocking it ?..well, The Brothers were rocking that Look Big Time on Central 60 years ago…
West Coast white players like Alto Saxophonist Art Pepper, Baritone great Gerry Mulligan and Trumpet player/Singer Chet Baker emerged from this predominantly Black Music Scene and it all blended into West Coast Cool Jazz ~
This was an altogether entirely Different Scene as to The Rock Scene that was happening at Gazzari’s, The Whiskey a Go Go, The Cheetah, Pandora’s Box, The Prison of Socrates, The Golden Bear in Huntington Beach, The Rendezvous Ballroom on the Newport Peninsula, although the True Hipsters, then as today, were moving around & checking out all of these Sub- Scenes…
Los Angeles, with Specialty Records (Little Richard) and Imperial Records (Fats Domino) based in L.A., and records like Chris Kennner’s “Land of a Thousand Dances” making their way on that pipeline to places like East L.A., where Cannnibal & the Headhunters would make it a huge hit :
This Transition from a Black-infused roots music base, filtered through a largely L.A White interpretation, with some exceptions al Latino Estilo East L.A Locales, Set The Stage for The Sunset Blvd. Rock & Psychedelic L.A. 60’s…
The Real Rock Music Scene was Really Happening at the Whisky a Go Go & Gazzari’s on the Sunset Strip. A lot of Other Bands & Musicians were in On the Act, but Winds of Change were in the Air, and L.A was About to Experience Something that Would Change The Face of Rock Forever..